No art without hope. Even the greatest desperation, which is brought to language or representation in art, nourishes itself on the fact that it makes sense to speak and represent, even when it comes to bestowing the unutterable, unpresentable, inexpressible, unrepresentable and unpaintable with a kind of reality. It is an act of sign-setting.
Translated from the essay “Plastikkaleidoskop” by Konrad Tobler
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